Vince and I enjoyed our art studio tour sponsored by the Arts Consortium, artsconsortium.org. Our last studios in Visalia, CA have fewer pictures, which is why they come at the end of the series, not because we went to them last. Although fascinating, Hilary and Dave had few items that were easy to photograph. Their beautiful home sprawled on secluded part of Visalia, and we took the yard tour along with the studio tour. Hilary Williams, a calligrapher, quickly designed a new name tag for me. Having studied calligraphy a few years ago, Her speed and accuracy awoke jealous pangs from a graphically-challenged teacher who has to painstakingly print to even be legible.
Another couple was with Dave Williams when we arrived, so after about ten minutes we traded places and traipsed into Dave’s small office. He works from home designing animated story boards for Disney Television. On his computer he pulled up a story board he completed. He discussed the difficulty of interpreting the script and turning it into animation. As he told us, most of the visualization comes, not from the wordy descriptions in the script, but from the mind of the illustrator. This requires much more problem solving than most of us would realize.
Story board artists imagine the rooms and outdoor spaces, place the characters in the space and work out a line of movement for how they cross the virtual stage. They build and operate virtual replicas of never-before-seen-machinery and gadgets. How does a world pressure cooker blow its gasket? How big is it? How does the gauge look? It all flows from the story board artist’s brain. From there the basic sketches go to a finishing artist who adds details and color. We watched the video of his storyboard, and gaped with our jaws hitting the floor instead of taking pictures of the video. For more information, visit this site.
Dave does most of his work from home, which avoids long traffic jams driving from one part of Los Angeles to another. They love living in the Central Valley.
We missed printmaker, Kevin Bowman, Martha Gaines leather and silver work. We skipped Marzi Jalipour’s display of mixed media and ended with Phet Khamsaysoury and Ray Mejia’s photography and videography. We passed the haunted office building in which my friend Jean practices law, and headed next door to another old brick building at 107 S. Church Street, in the heart of downtown Visalia. You can see the ever-widening crack where ghosts might find easy entrance to the drafty building. What impressed me most was the simplicity and modernity of the Mejia’s photos.
Along with the photographs, his displays included the cans and the masks.
All in all the artists seemed to love their work, whether they had a collection that rivaled the number of pieces in the Louvre or they had just gotten started.